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And if I expand my finder window, I can see that it is in that proxy media folder. In fact, if I right click any of these and choose to reveal the proxy media in the finder, it will shoot me out to the movies folder, where I've saved this proxy only library. Here's my proxy only library with all of the proxy media. Once I click okay, it's going to create a library with my proxy only content in the location that I decided and I can now easily send this to the editor, knowing that everything is consolidated inside the library. All I'm interested in is the proxy media. Right now, I want to include the original media, which I'm not interested in. And once I name it and choose the storage location, I'll press save and be presented with a dialogue box where I can choose what to include. I'll create a new one, calling it Proxy Only. How this is done is by right clicking or control clicking on a library and choosing to copy this to either an existing library or creating a new one. Before sending, I just wanted to note that my timeline looks like there's unconnected media, but this is a timeline being referenced from another library which doesn't have proxy content. Another great new feature is my ability to make a copy of this library and send to an editor only the proxy files. Now that my proxies have been successfully created, as I can see here, as I skim through my clips and notice in my viewer that it's set to Proxy Only. If I stop play back, my background tasks will continue the proxy creation process. Anything that hasn't been created has the missing proxy icon.

Anything that has a proxy already created here on my system, you can see, has a thumbnail and I can skim through it. But in order to differentiate between the files that do have proxies, I'm actually going to head back to the view menu here and choose Proxy Only. By default, it's set to Optimized original or you can set it to proxy preferred and when a proxy file has been created, it will link to that proxy file versus other files here on your system. While this converts, I'm actually going to go to my viewer's view menu and show you that there are a few options for how you can view media. In the background tasks manager, we can see this transcoding analysis take place of our new 50% scale down in the ProRes proxy format. And this window is going to close after import. Now to make sure that all of my files come in, I'm going to press Cmd+A, to select all of those files, which will allow me to import all. And what I'd like to do is make this all 50% in size. In this case, if we take a look at some of this media in the frame size, I can see that it is 4K content.

Meaning, if you're media happens to be 4k, you can of course have it the same as the source, but then scale it down to 50% or all the way up to 12.5% its size. Not only did you have the choices between two different proxy codecs, or you also have the choice between frame sizes. This could be great for certain collaborative workflows where you're working between various applications and H.264 in general is going to be pretty responsive on a modern day Mac, if you have it. We now have the ability to create proxy media and not only the ProRes proxy format, but also an H.264. And some of the new options for proxy are listed right here under Transcode. I'll go to a favorites folder that I've saved, which is this Yellow Dress and City. I'm going to choose to import some media. I'll named this library, New Features 10.4.9 and save it in the default storage location on my system, which happens to be the movies folder.
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So feel free to try to follow along with the assets that are included in the exercise folder. These files are not going to be included with the training. Inside of Final Cut Pro 10 to show some of the new proxy workflow features, I'm going to come in here and create a new library. If you'd want to take a look at the complete feature list, you click on this and then you'll get a guide for all of the new items that were included in this release. These four features aren't all that's new.

We're going to take a look at that and the enhanced proxy workflows in this movie. The two main features are enhanced proxy workflows, as well as the social media tools, which will help you convert your projects into two of the most popular formats for various social media platforms, that's square and vertical. If you're looking to find out what the new features are in 10.49, you can always head to the help menu and take a look at what's new in Final Cut Pro 10.
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Just before September 2020, Final Cut Pro 10 released a new update to this incredible application.
